The Renaissance era saw the consistent revival of both Platonism and neo-Platonism. What became the most characteristic of the new era was reading Plato’s philosophy as, above all, a philosophy of love. The Renaissance culture made Plato’s Eros a principle linking the realm with divine and transcendental, giving it a Humanist interpretation. At least partially, this idea was derived from the pre-Renaissance culture of Medieval courtly love with its worship of the lady and emphasis upon the ‘God is love’ dogma. As a result, theory of Renaissance neo-Platonism is observable not only in works of philosophy, but in poetry as well – from the Italian poets of dolce stil novo to the English poets of Elizabethan era, such as Sidney, Spencer and Shakespeare. However, it is in Shakespeare’s works exactly that Platonism underwent a crucial transformation. The aesthetic system of the Sonnets became centred, rather than a static archetype or a transcendent idea of beauty, on a real and imperfect person. The function of the Fair Friend is set not as much by his representing the Platonic triunity of ‘truth, goodness and beauty’ as by the fact that, in Shakespeare’s world, the Platonic triunity is basically nonexistent outside the living ‘substance’ of the Friend. If Renaissance science was gradually shifting the centre of the universe from Earth to Sun, the anthropocentric view had finally established the centre of the spiritual universe in an individual’s mind. It is there that truth, goodness and beauty are rooted. Thus the basis of Shakespeare’s philosophy is not the Platonic ascent to the realm of ideas, but rather a descent into the self – a kind of Medieval confession. However, a confession is only made such by the presence of somebody authorized to hear it. This supreme authority is represented by the Fair Friend. The whole realm of transcendent is revealed to Shakespeare in the beloved one. The empyreal idea of Plato’s becomes – finally and irreversibly – an earthly human. Without this human-being nothing is possible: either harmony, or truth, or system, or the world itself. Without him everything disintegrates, and Time itself is ‘out of joint’.
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Keywords:
Platonism, the idea of beauty,Plato’s theory of love, Shakespeare, confession.
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